The 1834 British statute authorising the establishment of the colony of South Australia described the region as ‘waste and unoccupied’, making no mention of the Indigenous owners of the land.
South Australia’s Foundation Act, passed by the British parliament in 1834, made no reference to the Aboriginal peoples who owned and occupied the land that was being annexed from the other side of the world.
The distribution of government rations to Aboriginal people, begun in the earliest days of European settlement, continued well into the twentieth century.
The striking facade from Adelaide’s private produce market in the north east corner of the city remains a city landmark, though the market itself no longer operates.
One of South Australia's earliest buildings and home to over 300 000 people from 1841 to 1988, Adelaide Gaol is one of Australia's longest operating prisons.
The classically styled freestone Adelaide General Post Office was constructed in the late nineteenth century and housed both the post and telegraph offices which connected Australia with the world
A long-running dispute over a senior nursing appointment culminated with a medical officers’ strike and the temporary loss of medical teaching at the Adelaide Hospital
George Fife Angas (1789–1879), described by his biographer Edwin Hodder, who was attracted to Angas’s nonconformist piety, as ‘one of the Fathers and Founders of South Australia’, helped shape South Australia’s institutions
The apron was worn by Joan Mallen when she worked at the Cheer Up Hut on the banks of the Torrens, near the present Festival Theatre, during the Second World War.
The distinctive architectural character of Adelaide and its suburbs has disappeared since 1980 - city high-rise offices and derivative styles in suburban housing are all-pervading
Adelaide’s art galleries contribute to its reputation as a city of the arts. The South Australian Society of Arts, established in 1856 and the oldest Australian fine art society still in existence, had as one of its earliest objectives the setting up of a permanent gallery.